Times Square
Brooklyn Museum of Art
We’d heard about the El Anatsui exhibit from my sister, read the write-up in the New York Times, and put it on our list of Things To See. Dave arrived home from his meetings around 6 p.m. and by 7 o’clock we had taken the 2/3 Red Line over to Brooklyn.
The museum stop lets you out right at the front steps.
The sun was setting, making the front of this glow.
First stop was the cafe. Although it has a great setting, we don’t recommend it. Better to eat the mints in your purse than eat there.
Simplon Pass: Reading (1901)
What brought us here were the John Singer Sargent watercolors that the Brooklyn Museum had put on display.
La Biancheria (1910)
Sargent originally didn’t want to part with these watercolors, intending to keep them for his “own enjoyment.” But he was finally persuaded to sell them all as a group, and the Brooklyn Museum was the new owner.
Corfu: Lights and Shadows (1909)
This one is my favorite, and everyone else’s too: it was sold out at the gift shop. While we came for the Sargent, we stayed for the next one: El Anatsui.
We entered the El Anatsui exhibit, walking into a large, high-ceilinged hall, where several of his creations were hung. We knew a little about him before coming: that he used bottle caps and aluminum bands from liquor bottles to make these “patchwork” creations (that’s his word, found in his video at the museum). His workers in his shop pound them flat, shape them and then they are put together to form these shimmering curtains, looking light as air.
They float in the air currents, moving ever-so-slightly. Here are a few closeups detailing the construction of these pieces:
Amemo (Mask of Humankind), 2010
From the title card: “This work has no specific orientation and illustrates the artist’s desire for his art to reflect the ever-changing condition of life. Anatsui also wishes to inspire creativity in the people charged with installing his work and says he merely provides ‘data’ for others to reenvision and manipulate.” El Anatsui is the name he took as an artist, preferring, it’s said, to keep the name his parents gave him to himself.
Drifting Continents, 2009
detail, Drifting Continents
Ink Splash, 2010
Earth’s Skin, 2007
Red Block, 2010
Red Block and Black Block, hung side by side
Black Block, 2010
The museum put up a video showing the hanging of this exhibit: Gravity and Grace.
Fascinating and amazing exhibits. We also saw Judy Chicago’s Dinner Party, which left us un-enthused (misplaced 1980’s Feminist angst?), and series of quilts over 150 years old, which were good examples of popular quilt designs, such as Star of Bethlehem, Flying Geese, and two different kinds of crazy quilts. All in all, a satisfying evening at the Brooklyn Art Museum.
Arrivederci, Italy
Italy 2012, continued — final post
Arrivederci means “until we see each other again,” and that finality lingered around us when we woke up early that morning. No high water siren last night, and we wanted one last walk in Venice before braving the airplane trip home later in the day.
It was foggy this morning, too early for the boatloads of tourists. We’ve learned that secret over the years, that the tourists don’t get up much before ten and disappear after dinner, so that you have the run of a town during the night and morning hours.
I think I must have some thirty pictures of this serpent with the umbrella heads; it’s fascinating every time I see it. At night, the umbrellas light up.
Rialto Bridge.
Rialto Bridge with vaparetto. The vaparetto has a large number of people on it–I guess working Venice is up and around, just not the shop owners.
Heading into San Marco square. It’s amazing how quickly we could get there with no one out on the streets. We have one tiny wrinkle in the day’s plans: we have to buy a separate ticket for our vaparetto to the airport, as it’s run by a different company. This was discovered last night, too late to do anything about it, so we figure we’ll walk until 9:00 a.m., head over to the ticket agency, rush back to the hotel and hopefully make the right boat to the airport.
Some tourists have arrived, standing on the high water walkways in San Marco square. The fog makes this place seem other-worldly, mysterious.
I looked past the gondolas, to the vaparetto stop, and poked Dave–“Hey! I think I see the ticket agency.” “It won’t be open.” “Let’s try it anyway.” Lo and behold, an outlier: there was one ticket window and it was open and we were able to buy the tickets. Big Relief. Traveling is just so many moving parts.
We walk back up through San Marco.
Hoping it is faster, we jump onto the vaparetto at Accademia, and enjoy one more ride up the canal. The fog is beginning to break, and we look for Dave’s favorite building.
There are several cross-canal routes, done standing up on a traghetto.
We see the “red” building from last night, and a boat appears to be loading giant loud speakers, or some sort of musical equipment.
Now you know as much as I do.
A foggy shot of Dave’s favorite building, with the golden mosaics on the front.
Our stop at Ca’D’Or comes up and we’re off.
It’s named for this building, which used to be ornate, apparently.
From here, we walk to our hotel, eat one more of those perfect breakfasts, gather our things and head towards the Fond. Nuvo stop, where we caught the vaparetto to Burano yesterday. This morning, though, we join a crowd waiting for the airport water bus. Suitcases get thrown (and I mean, thrown) in the front and passengers go down three steps to sit in the belly of the waterbus. We had the usual chaos at the Venice airport (the usual Italian bureaucracy has prevented the airport from expanding, and there are signs posted everywhere to let you know), then a flight to Frankfurt, then to Dulles, Washington, then LAX. We arrive back to our home around 3 a.m., and even though we both were able to snag rows of seats on the Dulles to LAX leg, and sort of stretch out for some sleep, we are tired.
I could put the usual pithy quote about travel in Italy here, but will spare you. We do have the desire to go to Italy again, but next time, we’ll try to avoid All Saints Weekend, rainy weather, bad pillows (the only flaw in the Venice hotel), and remember to always bring the granola bars.
Arrivederci!
Burano, of Many Colors
Italy 2012, continued
We leave from the Fondamente Nova vaparetto stop, which is on the backside of the main islands, and head straight out past Venice’s cemetery, on an island all its own. First stop is Murano (glass making) with our final destination for the day Burano (lace making).
We join the throngs of other tourists, load up (we race to the back to get an outdoor seat) and head out past the cemetery, on its own island.
We’d first been to Burano in 2009, when on a tour with our friends to Murano, then Burano. But the tour guide was in cahoots with the glass-making people and we spent an inordinate amount of time captive in the glass maker’s shop, and only 20 minutes on Burano. We wanted to reverse that today.
Deliveries–everything’s by boat.
We approach Murano and its “furnaces,” or fornaio. Each building is a different glass maker. Murano also is a series of islands like Venice , albeit a smaller cluster.
We are going on to Burano, a fishing village, or so the story goes. They also make lace here, a dying art, as it’s time-intensive and the best kind is done by hand. We land in Burano, and everyone gets off the boat. Most head straight ahead, but at our first opportunity, we take a left, away from the crowds. When we were here before, we were captivated by the colorful houses–technicolor, brilliantly painted houses. The tour guide that time told us that it was a way for the fishermen to find their way back home in the fog, since there has been fishing there since the 6th century. But now Wikipedia notes that “the colours of the houses follow a specific system originating from the golden age of its development; if someone wishes to paint their home, one must send a request to the government, who will respond by making notice of the certain colours permitted for that lot.”
Whatever the original reason, the houses are like being in another world. This post is mostly just pictures of these houses, as there’s really nothing I know about them. I could tell you someone famous lives here or there (and they probably do), but if I’d known that would it have changed how we interacted with this amazing colorful island? I think not. So, scroll, quickly or slowly, and enjoy the houses of Burano.
Now, doesn’t it make you want to head to Home Depot and repaint your house? We were saved from that urge by the fact that we’d done it last year. Around every corner was a new sight, a new color. We saw the young man on his scooter, and Dave helped two lost Asian tourists who were trying to find their way to the vaparetto. We wanted to get lost, so were relieved not to see crowds.
The acqua alta barriers (flooding of high water) on their doorways were really high, and we found the one below pretty interesting, marking the years the aqua alta was highest.
The fact that we’d arrived during “siesta” probably accounted for the deserted streets, as we could hear the sounds of dishes and people talking inside their houses, but no one was around.
We turned right and here seemed to be a main canal. The reflections of the houses on the water captivated us; please enjoy endure the following similar photos as I couldn’t choose just one.
A young couple walked by and we snagged them for our Christmas card photo. Believe me, I was dying to digitally erase those white dots, but I restrained myself. If I had really thought I would put this on our Christmas card, I might have put on some lipstick or something. Dave always looks good.
We cross over the bridge and down the other side is a woman who is working on making lace by hand. I’m sure this piece will sell for thousands in the shops. We avoided the shops because, after reading Brunetti, we’ve learned that most of the lace goods come from Asia. I would have loved to have taken a completed piece of real Burano lace home with me, but I’ll have to be content with this photo.
What I loved about this photo was the way the washing lines were propped up mid-square with two sticks.
The fabulous Dave.
I think this shrine on Burano was one of my favorites: the blue wall, the tiled Saint Fatima, the white flowers in the green box. Perfect.
I also liked this one–these colors were magnificent. We were really glad it was a bright sunny day, for although we got shots of people’s laundry (including those black undies near the fuse box in the photos above), the sun lit up the houses like they were illuminated from within.
It was now late afternoon, and the Tourist Crankies were setting in because we hadn’t eaten since breakfast and regretfully forgotten our Emergency Granola Bars back in the hotel. We were approaching the main town area and looked at several restaurants but then reconsidered because we wanted to beat the crush back to Venice so we could enjoy our last evening there. We’d had such a lovely time by ourselves photographing the colorful houses, that we decided just to head for Venice. There was a crush at the vaparetto stop, but we were early, so did get a seat on the way home. I found one granola bar in the bottom of my backpack and we shared that, then we both dozed on the way home, awoken when a rogue wave splashed in through the vaparetto windows, drenching the couple next to me. I didn’t get wet at all.
I was able to get a better photograph of the church part of the cemetery this time, the whole building glowing in the setting sun.
Gondola practice?
Then there was this curious sculpture placed out in the lagoon as we neared Venice. The only thing I could find about it (in English) was that it was a representation of a poor fisherman saving Venice through the appearance of celestial visitors. Or something.
Back on Venice, we stopped for a small snack in a local shop, then walked home, passing this (closed) church. Near our hotel is this water spigot/fountain that we mostly see filled with pigeons.
But today there were two boys, filling water balloons.
We refresh, but since we are still hungry, we head out, turning right onto the main drag up through Cannaregio, kind of like we are following their line of red dots (which is direction to Ca’ D’oro vaparetto stop, but in the same direction as we are headed). Strada Nova is crowded, with shops still vending and people still shopping, a real party and lively atmosphere. We stop to buy some chocolates to take back with us and some torrone (but it’s not as good as the one by San Zaccharia).
This was a view down one side canal toward the Grand Canal. We keep going, cross a few more bridges, then wander off to the right, up over two small bridges and see a small restaurant on the canal.
Out front there’s a guy out front in a spiffy suit, hawking to tourists — hawking to people just like us, who are tired and hungry and ready to eat even though it’s not even six o’clock in the evening and a real Venetian wouldn’t be caught dead sitting down to dinner. Of course there was the chalkboard with the requisite three courses, the menu with the six languages. We shrug and say, why not. It was a good choice.
First up, they bring us an aperitivo. No thank you, we said, we don’t drink. Shock. Amazement. Incredulity.
Instead, a plate of some delicious polenta topped with bolognese sauce was brought to our table for a “starter.”
Dave had pasta with cheese, which looked like to me it was leftover spaghetti pressed into a mold, then cut and lightly baked, then broiled (?). I think this is a good idea, especially if grilled vegetables are added to the plate, then a drizzle of vinegar.
My pasta course was spicy spaghetti with vegetables. I had never thought to ramp up the spiciness on spaghetti before, but it was delicious.
We both chose the salmon, again, with grilled vegetables. And the Italian way — the salad at the end of the meal (below).
He tried to offer us an after-dinner drink again, but again, we declined. No dessert? He asked? No, I said. I prefer to have some chocolate.
So they brought us each this delicious treat, on the house.
We really enjoyed talking to the owner, as we were the only ones in the restaurant for most of the meal. He grew up in Venice, but after marrying, moved to Maestre, but still runs the family business. We talked about the aqua alta (he was in early that morning, sweeping out, vacuuming, washing down our tables and chairs), as this was his livelihood. I’d go there again in a heartbeat, as the food was delicious (and the owner spoke English). He said he moved out to Maestre because it was really hard to raise a family in Venice–not even a place to play soccer. We say goodbye, but are not ready to say goodbye to Venice yet, so we hop onto a vaparetto and ride down the Grand Canal.
This is when you know you are really on the Outside, Looking In. It’s when you see a building on the Grand Canal all lit up in exotic red, with boats of the glitterati stepping up onto the private loading dock and entering this building. It looked fabulous to all of us peons on the vaparetto. Even the drivers were pointing at it.
Rialto Bridge
The Fish Market, after dark. The action happens here in the early morning.
Santa Maria della Salute
We get off at San Zaccharia, buy our last wedge of torrone to take home, then walk slowly back to our hotel through the streets, and the happy tourists, and the business-like Venetians, back through the chilled air, Dave and I together in Venice for one last night.
Coming up: one more post before we say good-bye to Italy.